Ilya  Kaminsky-Deaf Republic

Ilya Kaminsky

Bio

Ilya Kaminsky was born in the former Soviet Union. He is the author of the poetry collections Deaf Republic and Dancing in Odessa, and coeditor of The Ecco Anthology of International Poetry. He was a 2014 finalist for the Neustadt International Prize for Literature.

Sessions

Poetry Reading: Jacqueline Osherow and Ilya Kaminsky

At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them. In My Lookalike at the Krishna Temple, Jacqueline Osherow considers expressions of spirituality from cultures all over the world and investigates previously unexplored aspects of her relationship to Judaism and Jewish history. Join these two poets as they read from their new collections.

Introducer: Kamilah Aisha Moon

The author of Starshine & Clay, a CLMP Firecracker Award finalist featured on NPR’s “All Things Considered” as a collection that captures America in poetry, and She Has a Name(2013), a finalist for both the Audre Lorde and Lambda Literary Awards, Kamilah Aisha Moon‘s work has been published widely, including in Best American Poetry, Harvard Review, Poem-A-Day, PBS Newshour, Buzzfeed and elsewhere. A Pushcart Prize winner and 2015 New American Poet who has received fellowships to MacDowell Colony, Vermont Studio Center and Hedgebrook, she holds an M.F.A. from Sarah Lawrence College and is an Assistant Professor of Creative Writing at Agnes Scott College.

  • First Baptist Decatur Carreker Hall presented by Mailchimp
  • Sun 3:45-4:30p Carreker

Deaf Republic

Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signs by day and by night luring soldiers one by one to their deaths behind the curtain. BUY THIS BOOK!

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